Before the concepts of this shoot had fully formed in my mind I was thinking about the stillness of my work, a lack of dynamism that has always been compelling to me in my paintings. I wanted to accentuate this, how do I show you these models were still, still, still. I wanted to begin playing with imagery of women as furniture, being used, being decorative. I used apples to contrast life, to connote consumption and temptation, and to add splashes of red already present. Keeping to an office-adjacent aesthetic, I posed the models in variously, odd, editorially set-up scenes.
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